Gerwig’s films resist storytelling structures that serve masculinity. From Frances Ha (2012) to Barbie (2023), her stories embrace and celebrate what is traditionally considered feminine. They depict the truest parts of existing as a woman in the world.
Read MoreYour silence is deafening, as is everyone else's in these times.
Read MoreFor a book subtitled, "A young woman tells you what she's learned," I can only pray my demographic isn't being judged off these paltry insights.
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